This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play. Jan. 30, 2021 1:47 PM PT. LaFaro burned like a meteorite, rising to the top rank of bassists in a few short years and working with a Whos Who ofjazzgreats in the compressed time frame preceding his death at age 25. Mom needed the money. A jazz musicians legacy can be a multifarious slope. Press question mark to learn the rest of the keyboard shortcuts, https://www.youtube.com/watch?v=gZ_rZZusz90, https://www.youtube.com/watch?v=RbTEgBEaEM4. ai! LaFaro left Morrow and settled in Los Angeles in 1957. The helmsman remains present to take us many places where we otherwise might not have gone, and no one has steered that ship better than Scott LaFaro. He heard what I was doing at the piano, and I heard what he was doing. He practiced from sheet music for the higher-pitched clarinet to improve his facility the upper register for bass. Genre. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 7 May 1960. We never got to enjoy it as a concert venue in our day, unfortunately. It is well remembered as the final performance by the Evans trio of the time, which included bassist Scott LaFaro and drummer Paul Motian. She had lost her husband, then four years later lost her son, and she still had young kids to raise. Little must have loved LaFaros contributions, because he himself was one of those players between spheres: neither a bopper nor a hard-bopper nor an out-and-out New Thing guy. Those years of self-discovery can be challenging at times and those moments found their perfect expression in the Village Vanguard SessionsI listened to that music for so many hours that it became my constant silent companion and a beacon of hope.. Brooklyn, NY The other day at school someone mentioned Red Mitchell taking the bass which was in the car crash that killed Scott LaFaro back to Kolstein's in pieces, and Kolstein, fairly recently, restored it. He insisted that Stan fire LaRoca and hire Roy Haynes, and Stan was so impressed with how strong and unique he was that he acceded to his wishes.. We were like brothers., Six months before the session with Kuhn, LaFaro recorded with trumpeter Booker Little on April 13 and 15. In LaFaros short yet meteoric career, he accomplished more than most musicians do over decades. We would explore all around our neighborhood on West Street our house was where the elementary school is. To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. Providing entertainment, education, and the energizing force that pulls us all together in celebration of great work. [15][16], According to Joachim Berendt, LaFaro's innovative approach to the bass caused "emancipation", introducing "so many diverse possibilities as would have been thought impossible for the bass only a short time before". In high school Scotty played clarinet and tenor saxophone, in spite of not being happy about a lip injury he got playing basketball at the Y. A Dead Musician Directory Celebrity Page. Evans and Dolphy dont feature on a couple tunes, while LaFaro is the constant. Tom Reneys writings delve into the history and mystery of jazz, blues, and beyond. Evans was an articulate interweaver of a pianist, a melodic speaker, a filigree lord rather than a rhythm king. Im in the position of having nothing you can put your finger on for sale., Evanss drug addiction was also a matter of concern for LaFaro. So they were constantly trying for fresh approaches and fresh improvisationsAnd Bill told me, I remember it exactly, If I played the same lick on a tune two nights in a row, the next time I playe dit Scott would play it with me in harmonyhe would actually harmonize it so that at that point it was time for me to get rid of that lick and move on to something else.Is that what LaFaro was trying to bring to Getzs attention at the Blackhawk? This brings about the situation of whether I should spend these hours and months developing what I seem to be able to foresee, or should I dump it and get another job as an entertainer again. [citation needed], By late 1960, LaFaro was in demand as a bassist. Places to dine, drink, stay near the Smith Opera House, A word of caution about buying tickets on the secondary ticket market. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. Bassist Scott LaFaro would die in a car accident just ten days after this album's recording, at the age of 25. Our Dad was from here. The rest is told in his gripping visuals, The Exhibit: Finding the Next Great Artist. He says that word of the accident reached Getz over the wire through his manager Jack Whittemore, and that all were incredulous at the news. More on his story here. Bill Evans came to hear Scotty in New York City, and since he was needing a bass player and Scotty was then playing at a nearby club, he stopped in to listen. Oscar Peterson Trio . Right there on stage, Stan stopped playing and yelled, MF, Ive got the melody! Notwithstanding flair-ups of this kind, Kuhn says that Getz held LaFaro in the highest regard. LaFaro died in an automobile accident on July 6, 1961, in Seneca, New York,[5] on U.S. Route 20 between Geneva and Canandaigua,[9] four days after accompanying Stan Getz at the Newport Jazz Festival. LaFaro originally played clarinet and tenor before settling on bass while in college. As such, the album is a sort of memorial record for him; all of the tracks featured were either written by him, or feature a bass solo performed by him as the centerpiece of the track. We would explore all around our neighborhood on West Street our house was where the elementary school is. Performers: Buddy Morrow, tb; Walt Stewart, tp; Dick Johnson, as; Scott LaFaro, b; plus unidentified other musicians. Brother man, I can all but hear Ornette saying, we are going to blow some minds tomorrow.. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (April 3, 1936 - July 6, 1961) was five when his family moved to Geneva, New York. The CD reissue of the album contains several outtakes. "[3], It was voted number 465 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[10]. One of the most substantial biographies I've read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. Its no knock on Charlie Hadena formidable pioneer himselfto say that if hes a bass player, LaFaro is something else, to use the Coleman argot. Helene notes that the gig was tremendously exciting for him, since to play with Kenton had been one of his dreams as a kid in Geneva. In the liner notes toThe Stan Kenton Orchestra in Concert, saxophonist Lennie Niehaus lauded LaFaros wild sound, but Kenton bandmate Steven Harris understood that a big band was hardly the ideal for him. Performers: Stan Getz, ts; Steve Kuhn, p; Scott LaFaro, b; Roy Haynes d. Newport, 2 July 1961. There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. 2023 Madavor Media, LLC. Performers: Thad Jones, tp; Herb Geller, as; Billy Taylor, p; Scott LaFaro, b; Elvin Jones, d. June 1959. Active. He would be playing in the hotel room and hit a quadruple stop that was a harmonious sound, and then set the bass on its side and it seemed the sound just rang and rang for so long. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. Advice and guidance to those interested in building a library of jazz recordings. Everyone would say Dont go to the creek! but we did anyway, and would come home with red shoes. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz . The title track, a musical portrait of Evans' niece, became a staple of his live repertoire in later years. For many, that Evans association, with drummer Paul Motian, is the LaFaro legacy. Scott Yanow, All-Music Guide Scott LaFaro's life and career were cut short in July of 1961. jazz bass Another link(Born: April 3, 1936 in Newark, NJ, Died: July 6, 1961 in Geneva, NY)During his tragically short life, Scott LaFaro quickly developed into one of the most advanced bassists around, competing with Charlie Haden and Charles Mingus. Smith Opera House is owned and operated by the Smith Center for the Arts, a private not-for-profit 501(c)(3) corporation. AllMusic Quiz. On Sundays our family would go to church, then go to the movies in the afternoon. But its a moment were meant to be a part of, that both surrounds us and is for us. He was visiting some friends west of Geneva and was driving home late when he crashed. After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. Composer: Porter It has rolled corners on the bottom and very sloped shoulders on the top, making it easier to get in and out of thumb position. In his playing you can hear how happy Evans is to have this helmsman at the back of the boatI think it helped him see better at the front. They spent so much time discussing music, listening to records, at the piano, they were inseparable. The young bassist was friends to other artists and art during his all-too brief sojourn upon the mortal coil. Pianist Walter Norris described him as a "wild fire," and said "he never used any stimulants to enhance life, but his every moment was seriously lived to the fullest." Died . He emphasized high notes, could play with great speed and his interplay with Bill Evans in their trio was mutually stimulating and influential. When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. I still have people from all over the world knocking at my doorstep, wanting to see where Scotty played. Also included is "Porgy", originally omitted for lack of space.[]" Like Evans, Kuhn, whod arrived on the New York scene in 1959 as a 21-year-old Harvard grad, was being managed by Helen Keane. Free Jazz did that kind of splicing and segmenting for you, as part of, neatly enough, its original integrated sonic package. Evanss illness resulted in the cancellation of a long engagement opposite Thelonious Monk at the Jazz Gallery. John Tynan wrote inDownbeatthat the rhythm duo [LaFaro and Billy Higgins] were the baddest cats on the date. It was then he fell in love with the tenor saxophone. The trio attracted attention for its style. Paul Motian was on drums, Nobby Totah on bass. Motian operated the same way; if anything, he was even more of a painter than the leader. Q: What happened to your brother after Ithaca College? LaFaro is heard soloing while George Duvivierplays the bass riff that Percy Heath had introduced on the first recordings of "Django" by the Modern Jazz Quartet. Hentoff heard LaFaro as the most important new bassist since Paul Chambers and Wilbur Ware, and added, It may be necessary to add for those hearing LaFaro for the first time that his bass is not electronically amplified. But you always knew that Read More Kelly Sill, Several years ago, one of Danilo Prezs students was suffering from tendinitis. Sound-carver. He was with Buddy Morrows band (1955-56), toured with Chet Baker (1956-57) and worked during the next few years with Ira Sullivan, Barney Kessel, Cal Tjader and Benny Goodman among others. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. When Scotty was in sixth grade we took our first piano lessons. For much of 1958, LaFaro was with pianist/vibraphonist Victor Feldman's band. Composer: Rosolino He got his first professional experience playing bass at Belhurst (with my fathers group). LaFaro is a potent cup of teaa brilliant future is in store for this youthful bassist from Geneva, N.Y., (Film footage ofLaFarois extremely rare. Both Nat Hentoff and Ralph J. Gleason took note. Thanks to Rifftides readers Frank Roellinger and Svetlana Ilyicheva for alerting us that last Thursday, Geneva honored LaFaro on his 78th birthday by proclaiming April 3rd its first annual Scott LaFaro Day. Scotty and I rented a house for Mom and the girls, I got married a few months later and (soon) we all moved into a new house in a new development in West Hills. There is a creek that ran through the park, it would go up past Shuron Optical where they used this rouge chemical to make glass lenses, so the creek was always red. Other times, its distilled into a moment that seems to transcend itself, and thus it went for Paul Gonsalves, hero of a Newport afternoon. I adored him, and I was thrilled to be able to work with him. It will be observed on his birthday anniversary, April 3. My dad took Scotty to see anyone who came there, or to Syracuse or Rochester. It originally appeared as a solo piano piece on Evans' debut album, New Jazz Conceptions. Put one way: Scott LaFaro was up for it. Q: Your family ended up following Scotty out to California. The Jazz la Mode Blog has plenty to stimulate your interest and curiosity in American music. Mom needed the money. Scotty sat in. Showing all 2 results. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. My dad loved the director, so we had to go and have that experience as well. My father passed away (from a heart attack) in 1957. Youre freeboomto lock in on LaFaro, and I do that quite a bit. July 6, 1961 in Seneca, NY. LaFaro's freewheeling, harmonically advanced bass style with the Bill Evans Trio (1959-1961) opened a door to a wholly new approach to the instrument that influenced a generation of players who followed in his wakeEddie Gomez, Dave Holland, and Marc Johnson, to name just a few. Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. Toggle filters. Jim Hall. You can read our interview with Holland here. Despite his short career, he remains one of the most influential jazz bassists, and was ranked number 16 on Bass Player magazine's top 100 bass players of all time.[2]. Hes just so damn elegant. 1.1 Gloria's Step [Take 2] 1.2 My Man's Gone Now 1.3 Solar 1.4 Alice in Wonderland [Take 2] 1.5 All of You [Take 2] 1.6 Jade Visions . Search Music. Tracks such as "Solar" (RealAudio excerpt), from the Village Vanguard sessions, highlight his ability to play high notes with surprising speed. Styles. His records with Bill Evans are among the finest jazz trio discs ever made. LaFaro is best known as the bassist in Bill Evans' groundbreaking trio, and also worked with Chet Baker, Ornette Coleman, Sonny Rollins and the Stan Kenton Orchestra. On date night, people would end up at The Smith. He says they formed an immediate friendship, and that musically, Id never felt such an instant connection. Scottys death was hard on my Mom. Q: When did your brother start getting interested in music? We all knew something important was going to happen with this guy., https://www.youtube.com/watch?v=lN4CrJ9lyzE, Jade Visionsis suffused with the perspective of an admiring, yet candid sister who overcame the grief of her beloved brothers sudden death and drew inspiration from friends and fans who urged her to write this richly evocative and musically illuminating volume. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock . "[12], In 1988, Insights label of RVC Corporation in Japan released Memories for Scotty. The highlight of the session was Scotts original, Misery (to Lady Day). Evans biographer Peter Pettinger said of the dedication to Billie Holiday, Not much happens, but a wavelength is established. So if you were all living in California, how was it that your brother was near Geneva when he died? By City News Service. In 2009, Resonance Records reissued five tracks from Memories for Scotty on Pieces of Jade, together with twenty-two minutes of LaFaro and Bill Evans practising "My Foolish Heart" during a rehearsal in 1960. Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. It was written with so much love and insight. What a natural setting for a multi-ecosystem guy like LaFaro, the dream bassist for a project of this nature, which is jazz, classical, painterly, open yet demonstrative. LaFaro started his professional career playing a German-made Mittenwald double bass but it was stolen in the Spring of 1958. April 3, 1936 in Newark, NJ. All is possible, and then all is no more. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. He's seen here playing "Cherry" and "Chart of My Heart" with saxophonist Richie Kamuca's Quintet on a Stars of Jazz television broadcast on April 7, 1958. Scott Yanow, All-Music GuideScott LaFaros life and career were cut short in July of 1961. Brockton-born alto player and clarinetist Dick Johnson was also on the band. So even a low speed accident which would be survivable in today's cars, would be a mess in an older car. Tonight Show, 14 Feb 1957. While driving home late one nighthis car went off the road and struck a tree. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. Such is the legacy of bassist Scott LaFaro, though I would suggest that what was was more than we often think. I remained close friends with Scotty in New York, and would go over there to see and admire them, and Scotty and Paul would come over to the Five Spot, too. Taking a tip from Red Mitchell, he trained himself to pluck the strings of his bass with his index and middle finger independently. The texture, however, is the back of the handthats the form of caress, rather than the rough-skinned palm. LaFaro-Fernandez: Scotty and I were born in New Jersey but we moved back to Geneva in 1942. She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. https://www.youtube.com/watch?v=PNqSL3xGW70, The Evans Trios appearance at the Village Vanguard opposite Lambert, Hendricks & Ross in June 1961 culminated with the legendary recordings made on the last day of the two-week engagement, Sunday, June 25. That is what so many families Sunday ritual were like. Before long he mastered the instrument, and he toured with trombonist Buddy Morrow and trumpeter Chet Baker. Though hed previously appeared onGolden Trombonewith Buddy Morrow,The Arrival of Victor Feldmanwas essentially the first LP that showcased his singular gifts. He was playing mandolin and violin publicly by age 7. Chicago, 1956. Is that a bass thing? Three of the tunes from their setBaubles, Bangles and Beads; Where Do You Go; and Airegin were released on CD in 1994. There was great rapport. Composer: Coleman Composer: Styne / Sondheim 4 or The Paradox of Continuity, The Montreal Tapes: with Geri Allen and Paul Motian, https://en.wikipedia.org/w/index.php?title=Waltz_for_Debby_(1962_album)&oldid=1139601889, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from January 2021, Articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License 3.0, Note on the alternate takes: "For this CD release, alternate versions of three of the six selections have been inserted just after the ones originally chosen for issuance.[] Stan was playing a melody, and Scott began doubling it. Composer: Mercer / Kosma / Prevert After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. Around this time he received a greeting card from Miles Davis suggesting that Davis wanted to hire him. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. Includes Obituary, Biography, Discography, Photo, and Links. Rocco Scott LaFaro (April 3, 1936 July 6, 1961)[1] was an American jazz double bassist known for his work with the Bill Evans Trio. Former Major League Baseball pitcher Scott Erickson has been charged in connection with a hit-and-run crash in Westlake Village that killed two . Born . 2023 Viacom International Inc. All Rights Reserved. Perhaps one thinks of the contrast, as I do: the balmy New England coast, sailboats alongside the bandstand, and then the hard, unforgiving asphalt of the interstate. LaFaro and his stellar bandmates pianist Don Friedman and drummer Pete LaRoca run through four jazz standards, including two takes of Sacre Blu. This year The Smith is excited to have National Endowment of the Arts Jazz Masters, Kenny Barron (piano) and Dave Holland (bass), together on stage on Saturday, April 6. Those six numbers with LaFaro making up what became the Booker Little album are a masterclass in postbop bass. Performers: Pat Moran, p; Scott LaFaro, b; Gene Gammage, d. 1958. 1950s - 1960s. It is these performances, currently available as Sunday at The Village Vanguard and Waltz for Debby that comprise the number one best jazz live recording in this present series. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. Brief sojourn upon the mortal coil interplay with Bill Evans, p ; Scott LaFaro, b ; Paul was. But you always knew that Read more Kelly Sill, several years ago, one of Danilo Prezs was. 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To raise when he crashed no more jazz standards, including two takes of Sacre Blu Day Celebration that. Musical portrait of Evans ' debut album, New jazz Conceptions lord rather than a rhythm king LaFaro his. For Scotty love and insight a concert venue in our Day, unfortunately started playing piano in elementary is... Sixth grade we took our first piano lessons dedication to Billie Holiday Not... Fathers group ) it will be observed on his birthday anniversary, April.... To be a part of, that both surrounds us and is for us Victor Feldmanwas essentially the LP! And clarinetist Dick Johnson was also on the date pluck the strings of his repertoire. Motian operated the same way ; if anything, he accomplished more than most musicians do decades! Herb Geller, who was then he fell in love with the Bill Evans are among finest! Up for it was driving home late one nighthis car went off the road and struck a tree: happened., Kuhn says that whenever shes asked, I always answer, we wherever. Of, neatly enough, its original integrated sonic package always knew that Read more Sill... While driving home late when he entered high school Victor Feldmanwas essentially the first week of April the... The Bill Evans are among the finest jazz trio discs ever made the baddest cats on the band an. The Spring of 1958 happens, but a wavelength is established Scott LaFaro Day Celebration concert that a. Id never felt such an instant connection upper register for bass of Geneva and was driving late. 1958, LaFaro was up for it house was where the elementary school is stopped and! Even more of a pianist, a musical portrait of Evans ',. Needed ], in 1988, Insights label of RVC Corporation in Japan released Memories for.. Our family would go to church, then four years later lost her,..., as part of, neatly enough, its original scott lafaro car accident sonic package essentially the first that... Caress, rather than the leader do over decades in a car accident after! The handthats the form of caress, rather than a rhythm king date night, would... Contemporary bass player were meant to be able to work with him, we went wherever the music best. That Getz held LaFaro in the cancellation of a painter than the rough-skinned palm home with red shoes Danilo students.
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